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1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {1}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {2}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {3}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {4}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {5}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {6}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {7}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {8}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {9}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {1}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {2}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {3}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {4}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {5}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {6}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {7}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {8}
1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia {9}

1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia

$69.3 $99

1986 Mongol Zurag Painting Buddhist Fine Art Tibetan Thangka Album Mongolia

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Mongolian National Painting"
Author: N. Tsultem
Publisher: "Gosizdat", Ulan Bator (Mongolia), 1986
192 pages
Condition: excellent.
Album in Russian, English, French and Italian.
Hard cover, dust jacket, enlarged format.
Shipping weight: 1300 g
Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterized by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka. It is thus distinguished from both traditional Buddhist fine art and the socialist realism favored during the Mongolian People's Republic.
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